Modulation 410 Julio Le Parc

“The recent works are the produce of very simple elements, put in relation in the hope to reveal richness and a particular tension. For that the elements of the painting must be reduced, most anonymous, so the interest is based o an intermediate plan between viewer and the painting and then we obtain a detachment on the visible surface made of forms and colours. So an immaterial presence is floating few centimetres from the painting, behind it, into a world to be discovered.
The experimental field is not only reduced to forms, colours or the mathematics. Some times and because my experiments are the continuity of what I’ve done before, its located in a more subtle field, more vague, more fluctuating which requires a manipulation of elements going further than formal relation.
Those elements are not easy to circumscribe, they have their own life. They appear obvious in one painting, though in other, the effort to apprehend and control them is fruitless.
This difficulty pushed me to pursue my work in that direction like when one penetrates in an unknown area and perceives stimulating signs, a mystery to be revealed or to imagine.”
julioleparc.org via dataisnature
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